Details
Silent Portrait: Material and Stillness
This mixed media painting on linen (dimensions variable) is rendered in a muted palette of white, grey, and sand tones. The work depicts a head in which the eyes, nose, and mouth are slightly more visible than in many of Mart Visser’s other portraits, but without ever becoming fully descriptive. The image remains abstract and suggestive, more an impression than a clear representation. What is visible seems to hover on the edge of form, like a memory taking shape while simultaneously dissolving. The materials: linen, pigment, and possibly natural textures, create a tactile, physical surface. The skin of the painting is alive; not smooth, but layered, marked, and full of quiet detail. Sand-colored tones offer an earthy base, while white brings space and breath. The greys connect and balance these opposites, grounding the composition in a sense of calm. The face seems to rise from within the canvas, without clear boundaries, beginning, or end.
An Intimate Stillness in Form
This painting does not demand to be understood, it invites presence. It asks the viewer to come closer, to see not what is shown, but what is felt. In a quiet space, with natural textures or soft light, the work naturally settles. It is not a portrait in the classical sense, but a presence: silent, layered, and resonant with inner depth. Mart Visser works with layering, slowness, and physical presence. His process is intuitive and evolving, each layer contributes to an image that feels as much as it reveals. In this piece, he explores the threshold between form and sensation, between recognition and open meaning.
This mixed media painting on linen (dimensions variable) is rendered in a muted palette of white, grey, and sand tones. The work depicts a head in which the eyes, nose, and mouth are slightly more visible than in many of Mart Visser’s other portraits, but without ever becoming fully descriptive. The image remains abstract and suggestive, more an impression than a clear representation. What is visible seems to hover on the edge of form, like a memory taking shape while simultaneously dissolving. The materials: linen, pigment, and possibly natural textures, create a tactile, physical surface. The skin of the painting is alive; not smooth, but layered, marked, and full of quiet detail. Sand-colored tones offer an earthy base, while white brings space and breath. The greys connect and balance these opposites, grounding the composition in a sense of calm. The face seems to rise from within the canvas, without clear boundaries, beginning, or end.
An Intimate Stillness in Form
This painting does not demand to be understood, it invites presence. It asks the viewer to come closer, to see not what is shown, but what is felt. In a quiet space, with natural textures or soft light, the work naturally settles. It is not a portrait in the classical sense, but a presence: silent, layered, and resonant with inner depth. Mart Visser works with layering, slowness, and physical presence. His process is intuitive and evolving, each layer contributes to an image that feels as much as it reveals. In this piece, he explores the threshold between form and sensation, between recognition and open meaning.
More information
| Color | Black/White/Grey/Brown |
| Type | Painting |
| Height | 155CM |
| Length | 100CM |




